Florida friends were enjoying their drinks at a pool party. Fenton could not help but notice the similarity of the folks imbibing to William Hogarth’s third painting in the series “The Rake’s Progress.” The placement of Hogarth’s scathing depiction of Thomas Rakewell as he squanders his inheritance was humorously superimposed on the drinking Floridians, creating a curious relationship between the eighteenth-century folks and the frolicking Floridians.
Tag: florida
Larry and Carl
A fisherman holding his catch is a ubiquitous photographic image. Fenton chose to paint the subject to create something unique from the most banal of images. His use of metal leaf suggests something regal or religious . . . or possibly both. Using trompe l’oeil, Fenton paints taped negative photographs of fishermen as if he were painting from those negatives.
Lap Dance at Portobello’s
A slightly inebriated woman leaves her embarrassed husband to dance with a young wounded vet in a wheelchair at a Florida coastal restaurant, while the artist irritates another husband peeved that the artist is taking photographs of his wife.